Arie antiche

Lördag 28 September kl 18:00

Sånger på italienska utgivna av Alessandro Parisotti. Musik av Caccini, Scarlatti, Paisiello, Händel m.fl. varvas med klaversolon från svunna tider. 
Ann-Christin Edblad och Göran Rullander berättar om textinnehåll och musik och om förläggaren och arrangören Parisotti. Som i all hemlighet lade till en egen komposition
Se tu m´ami i en av samlingarna. Bitterljuv romantik med vackra melodier och känslomättade texter...och varför inte ett glas Ripasso i pausen?
Ann-Christin Edblad - sång
Göran Rullander
- piano

Entré: 190 kr  Stud/pens: 160 kr
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Eventuellt resterande biljetter säljs vid entrén.

Alessandro Parisotti 1853-1913
Though also a composer, Alessandro Parisotti is better known today as the original editor of a collection of songs known as Arie antiche (Arie antiche: ad una voce per canto e pianoforte, Milan, 1885–1888).
The original collection comprises three volumes of songs or arias published as a primer to study classical singing, but the three volumes have since been reduced to single-volumed extracts known as the 24 Italian Songs and Arias. The original Arie Antiche are still available through Ricordi, Schirmer, and Kalmus.

Parisotti collected these antique arias (arie antiche is the Italian) in what was the 19th century vogue for discovering forgotten old or antique music from the classical and baroque eras.
The taste for rediscovered music was de rigueur among musicians and audiences of the nineteenth century, with composers lesser than Mendelssohn and Brahms participating as well.
Parisotti found forgotten scores and arranged their arias (or duets) for solo singer and piano accompaniment. Parisotti romanticized the pieces by altering word placement, chordal structure and/or adding ornamentation to the vocal line. 

In his collection, Parisotti attributed the song "Se tu m'ami" to Giovanni Battista Pergolesi, but as no early manuscripts of this song have been located, scholars now believe that Parisotti composed the piece himself. The text for the song was taken from a collection called "Di canzonette e di cantate librue due" by Paolo Rolli, published in London in 1727.